Weber and Rush’s

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"Parisian Widows". Margie Hilton, during a number called "An Oriental Serenade" tore off a three minute "cooch" that was the limit. Emily Miles wears tights almost entirely, making a highly attractive figure in that sort of dress, and handles two numbers satisfactorily. Belle Bell, beside her part in the specialty of The Musical Bells, is the leading woman and the Amazonian leader of the patriotic finale of the first part. Mae Rose was a sort of assistant soubret. Ike Wall becomes the principal funmaker of the organization. George Niblo was another "straight" in the first part, reappearing during the burlesque as an old man. Arthur Bell did very little with the part of landlady. Harry Bentley worked in close partnership with Pierce throughout the show, and was of the conversation team of Bennett and Bentley in the olio, a conventional number involving Hebrew and "straight." Sam Bennett was the barnstorming actor and later a "cissified" tramp, both of which he handled cleverly. Ed. F. Rush, credited with the staging of the show, has put over a first rate burlesque entertainment marred only by the frequency of suggestiveness.
The gallery whistled and howled until the show was brought to a sudden finish at 10:45 with a march finale.
Source:
Variety 16:5 (10/09/1909)