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In the latter's hands the principal role of the bachelor hero is illuminated with grace and easy lightness, wh^re Kelley, true to his training as a st(>ck leading man, gave it an undercurrent of stage heroics and stiltedness. He is admirably supported by Augusta True, Marshall Farnum and George C. Robinson, although Farnum was guilty of some faulty reading.
The act has good quiet comedy value and tells an interesting story neatly and concisely.
Source:
Variety 10:3 (10/19/1907)