Location:
Theater:
Date:
Type:
Impersonations of musicians or conductors.
The first part ended with the long act of Arturo Bernardi, whose quick changes were as impressionable as in other seasons, the act slowing up with the impersonations of famous music masters in the pit which were unprogrammed and consequently "strangers" to the majority of the people in the audience. The "encore" Bernardi uses, showing how he makes his lightning changes, proved the biggest feature.
Source:
Variety, 53:12 (02/14/1919)