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Plainly written around Miss Bennett’s ability as a blackface comedian. Arthur E. Sprague, a grasping landlord queers the sketch.
Sprague scowls and growls. Bennett works in a song and "negro dance"
Went well and scored reasonably.
With the supression of the too villanous villiain the sketch can be fairly acceptable.
Source:
Variety, 2:3 (17/3/1906)