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Jim and Betty Morgan rolled up a score with the latter’s singing and the musical efforts of the former. The old Colonial applause in cadence was missing, but the whistling was there at the end, with the encore playing an overgrown uke and a clarinet by the team starting it all over again. This little family affair has framed itself an act with the versatility of the boy apparent through his playing of three instruments and his wife delivering four numbers capably – the “Romeo and Juliet” lyric being manifest through its “catch lines. “over” before the jazz finish and that simply sent ‘em in stronger.
Source:
Variety Magazine, LVIII: 26 November 1920