Roberts, Hayes & Roberts

“The Villain Still Pursued Her.” This is one of the best travesties on a melodrama I have seen since Harry Hampton came over with “The Melodrama” some years ago. Before the right kind of audience the act ought to go with a scream but a goodly portion of the “wise” Monday jury this afternoon failed to get the numerous fine points to the act. Roberts was never funnier than as the “dying child” and the other members of the company were good. Attic in 3. Time 23 min.

“The Man From the Sea.”

This act, written by Paul Dickey and Chas. W. Goddard and produced by Maurice Campbell, had its first presentation here today and held the audience spellbound. Never have I seen an act in vaudeville that has gripped an audience as did this one today and the interest was intense during the 18 minutes of its presentation. The scene is laid in a wireless station at Cape Fear, North Carolina, with a terrific storm raging outside. The operator on duty keeps getting a call for C.F. and decides to answer. The reply comes “Off Scarboro Reed, nine fathoms deep” and signed Carroll Brown. From another operator he learns that Brown and Bradley Wolf had both loved the same girl and had cut the cards to determine which would leave the other free to woo her. Brown loses and starts away in a storm but is supposed to have wrecked off the reef. On the night of storm the message had come over the wireless that Brown would return on Wolf’s wedding night. The wireless keeps flashing the message and the operator summons Wolf on the phone and delivers the message. Wold arrives at the station and orders the operator to return to the house with his fiancé and be careful that the automobile does not skid over the sea wall. Wolf has been in the station but for a few minutes when Brown, “the man from the sea” returns. He accuses Wolf of treachery and insists upon again cutting the cards for the girl, stating that if he wins he will take her back with him “nine fathoms deep.” Brown wins and as the card is turned the phone rings and Wolf is informed that the automobile has gone over the sea wall and the girl is drowned. Brown vanishes into the storm. While the act is weird it does not have that gruesomeness that might be expected. It is finely acted, the cast being above the average while the storm effect with “real rain,” etc., is the best that I have seen staged. It seems to me that properly worked this act could be heavily featured anywhere and will create discussion. Certainly there is no other act like it in vaudeville today and those managers who are constantly crying for novelties would do well to consider this one. Own set in 3. Time 18 min.

Lewis & Chapin

“The College Boy and Girl.” Eccentric dancing and talking act in 1. Conflicts in a degree with the opening act. Had hard work getting the audience this afternoon but went much better at night. Olio in 1. Time 16 min.

Edward Decorsia & Co.

In “Red Ike.” A western comedy sketch that is full of good stuff and one of the most attractive settings I have seen in vaudeville. Sketch is lively, full of action and the lines are bright. Could go down further in the bill and more than make good. Good value for any house. Own set in 3. Time 18 min.

Gaffney Brown & Doll Falardeau

“Watch the Cigarette.” Man and woman in a cross-fire singing and talking act. In a tough spot for a talking act. Some of their material is a trifle ancient but they got a good many laughs throughout their act. Act would go #2 on the smaller time. Garden drop in 1. Time 22 min.

Onetti Sisters

8 minutes f.s. These are four very attractive girls in a well dressed act, who do some great stunts on the trapeze and some teeth work that is really extraordinary. It is altogether a pretty act, and decidedly clever for the money.

Jesse Lasky’s “On the Housetop.”

26 minutes f.s. This act has been improved one hundred per cent since I saw it at the Colonial. This afternoon it went about as well as any Lasky act we have ever played, if not better. It certainly has the element of novelty, a beautiful stage setting, and for once we are getting it while it is fresh. Erickson’s comedy has improved and he now really gets laugh all through. Starts off well and keeps it up to the finish. Altogether this act was thoroughly satisfying to-day.

Charlotte Hunt

22 minutes f.s. Miss Hunt is a local favourite and played in stock in Boston for a number of years. Has a comedy which has been played here before with indifferent success. She made the most of it to-day, and will draw us some money.

Williams and Segal

11 minutes in one. This is a neat singing and dancing turn. With the dancing, of course, the feature.