The first equipment shows the exterior and veranda of a house in the suburbs of New York.
The second scene represents the interior of a floral shop in the big town.
The tall, spelt and beautiful French-woman as Claudia, walks away with the second act. Her gown is a wonder and she wears it like a Suratt.
The chorus is skimpy in numbers and inconspicuous in achievements. There are six girls and six men.
The story is simple but somewhat new and refreshing for vaudeville. Two brothers are there. One is a wild fellow, the other a nice boy. There is the one mistake of the piece. The author has tied the lively American girl to the “nice boy.” But that makes the story. The wild fellow finds a baby left on the doorstep and pins a note to it saying that it belongs to the nice fellow.
A comic drama.
Russian Fear tells a story of the oppression of the Hebrew in the realm of the Czar, the final emigration of one to this country, and the tribulations that beset his existence over here.
The scene is laid in the interior of the Hebrew’s small tailor shop.
There are two men in the sketch.
The man makes a good appearance, and his partner does likewise.
A drawing room, in which a man lies dying after supposedly taking poison, and his wife makes funeral arrangements on the phone.
