Eadie and Ramsdell, the long combined vaudeville couple established themselves in No. 2 spot with a clean cut comedy turn before one of the most picturesque drops hung at this house in quite sometime. The female member opens, rendering a ballad that registered from every seat but had a very hard time due to the usherettes being forced to accompany patrons to their seats. Why not hold the late comers in the rear orchestra until the act is over?
McLallea and Carson, who closed, found the same condition upon their entrance, but the boy kept everyone seated with his ad libbing. Too bad they were so far down, as the act deserved a batter position and was one of the bright spots of the evening.
Miller and Mack scored their usual knock-out with their burlesque comedy, which has been changed but little since its previous showings here. This act, however, needes [sic] no change, as it is the type that always goes.
Morris and Campbell, next to closing, did their regulation clean-up. It was a cinch that half the house knew the routine by heart, but that, didn’t matter in the least. It even helped Morris and Campbell’s hit, as many of the gags and most of the business were anticipated with laughs.
McCoy and Davis, a mixed team the man doing a nut, got good laughs. The obvious cueing for swatting back of the drop detracted from the comedy effort which figured prominently in the routine.
16 min. f.s., spl. This is a clever little comedy well handled by Mr. Ardell and his assistant, Miss Sheldon. Received plenty of laughs and closed to a good hand.
Williams and Culver, with all the hokum imaginable, got laugh after laugh in some of their talk. If he would do nut all through his act he would be better off, as he tries to do a Hebrew dialect and then starts working as a nut.
[Jack Dunham and Andy Williams] gave way to Boyce Coombe, seasick, sneezing, forgetful English comic. Coombe programs Burton Brown, assisting him at the piano. Brown proves as asset to the act with his accompaniments and showmanly style at the piano.
17 min. in 1. This act starts slowly but the last six or seven minutes has some good comedy “bits” closing to a fair hand.
19 min. “The Gadabouts.” A very good comedy vehicle written by Herbert Ball Winelow. Has some good comedy situations and plenty of action. Well played, was a good laugh-winner and finished strong.
