2 shows, 65 min. full stage. No apparent drop in the popularity of this organization. All the encores were genuine; none of them forced. They played half an hour the first two shows, and filled out their scheduled time in the evening show.
2 shows, 65 min. full stage. No apparent drop in the popularity of this organization. All the encores were genuine; none of them forced. They played half an hour the first two shows, and filled out their scheduled time in the evening show.
2 shows, 63 min. full stage. Apparently just as strong as ever. All selections applauded, especially a high class violin solo by Mrs. Wilczek, the concert mistress of the organization.
2 shows, 65 min. full stage. Went just as well as at any time during the past fortnight; every selection encored, and they want more at the finish of the program.
2 shows, 60 min, full stage. Entire change of program this week. No diminution in interest, every number being encored, and a triple encore at the finish. Harp solo by Miss Warner went tremendously strong. No doubt whatever but they are drawing the musically inclined people of the city, as all portions of the house filled up much earlier than usual.
2 shows, 60 min, full stage. Playing the same popular class of music as in previous seasons. Their drawing power was demonstrated the moment the doors were opened, and the house quickly filled up, the attendance of women being notably large. Their playing was decidedly better than at the outset of last season, and every number was warmly encored. At the close it would have been easily possible to have continued longer, but I deemed it wise to hold them up in responding.
Consisting of forty men, under the leadership of Louis Kinderman, a very good band and going big. Full stage, 30 min.
This is a foreign act and introduces one man and two women in a sort of semi-military costumes, their work being confined exclusively to brad instruments. The man enters first and plays a selection on a baritone instrument something like a French horn. Then the two girls appear and play cornets, which they afterwards hand to him and he plays on both cornets at the same time. They then goes [sic] to French horns which they work in the same way. Next they take instruments shaped like coaching horns, only that they have keys, and play a selection on them. They then go to a different style, but the same shape as a coach horn, and play a selection for a few seconds, the man playing with the horn balanced on his lips. It is rather an odd sort of turn and was very well received by our audience. 12 min, open full stage and close in one.
