Marie Arvelle
The act was seven minutes long.
Marie Arvelle has an excellent mezzo-soprano voice. She sings three prima donna songs, “all calculated to show her high notes off to advantage.”
Bernard and Bland
The act was eleven minutes long.
A young man and woman do conventional singing, dancing, and cross-fire “patter”. The man sometimes departs from the average gags to copy jokes from Jarrow, Harry Fox, and others.
Reta Reynolds
The act was fifteen minutes long.
Reynolds is a character comedienne who does four impressions, each with its own costume change. She opens as a “Quakeress”.
Belasco, Earle and Earle
The act was fifteen minutes long.
One man plays the cello, one women sings, and the other plays the piano. The opening is full of classical numbers, but they finish with “rags”.
Trans-Atlantics
Bond Monroe
The act was nineteen minutes long.
Bond Monroe formerly had a bicycle act, but now performs a monologue in which he uses the “fidgety maneuvers of a tramp” and sings.
Shafter Bros.
The act was seventeen minutes long.
Two men announce that they will perform an imitation of a vaudeville show. They are dressed in evening clothes which look like they were made by a regular tailor.
Manson Twins
The act was thirteen minutes long.
The Manson Twins play the piano and the mandolin and sing. They dress well and are versatile. “On looks alone these misses with the unmistakable freshness of youth score right off the reel.”
Earle Wilson and Co.
The act was eighteen minutes long.
Earle Wilson an Co. talk, sing, and dance. The woman plays an “eccentric character” who meets with a vaudeville agent to try and get a spot in a show. A young man sings “Ragtime Violin” and dances.
Jack Laurence
The act was ten minutes long.
Laurence delivers a poor imitation of Bert William’s work. He performs songs and monologues. The Subway monologue was just as dull as a subway commute.