George Hussey
Emil Wille and Co.
They present a novel bar arrangement, but it does not allow them to inject any noticeable speed almost essential in a “dumb” acrobatic turn. The whirling finish brought forth some appreciation.
Dressler and Wilson,
man and woman, do the familiar dance formations, doubles. The solo work by
both is the best, each having a distinctive style of dancing, intermingled with a couple of comedy steps.
Mabel Spencer and Co.
the Dancing Cronins
They do a number of dances in an acceptable manner, although the man’s fantastic manners detracts considerable from the value as a whole. The woman shows considerable ability and practically carries the turn single handed. She might be more careful with some of her movements during the “Salome” number.
Mitch and Mitchell
a musical and talking turn, faring above the ordinary, mostly due to their playing. The black face comedian put across a couple of good laughs. He should continue to draw his usual laughs, and considering the business, he does get quite a bit at that. The “straight” has a dandy appearance.
The Bonomor Arabs
Ground work, away from the work usually
witnessed by other troupes on the same order, can be seen, and every member simply whirls about the stage in such a manner that the best audiences in the country cannot help but appreciate the extraordinary showing of this troupe.
Ziska and Co.
Ziska got away with a
number of tricks to good advantage easily
putting them across successfully, through employing
a good deal of lingo.