Katherine Nelson and Elizabeth Otto
Time 17. In 1. Pianiste and character comedienne. (Dutch and child.) They work along their original lines, and are just as pleasing as formerly.
The Lawlors
Man, 2 women. Time 20. In 3 spec. They present character types, Italian, Scotch, tramp and Irish, with a rapidity that approached the protean class. Their songs are very clever and splendidly done. They have a distinct flavor of the English music halls in mannerisms. Went strongly.
Charles Leonard Fletcher
Open in C.D.F. Close in 1. Time 22. This artist’s excellent work in maturing season after season. He has new features. Held the audience spellbound throughout.
Doris Wilson
In 1. Time 10. Gowns, fine; voice, good; comedy, frightful. As a straight singer she could probably get by in good shape. As a “singing comedienne” she is very poor.
Hayward & Hayward
Man and woman. Time 16. Interior in 3. They present a sketch of the hardships of actors out of work. Most of the lines are very bright, and the situations bring screams. A few of the lines are rather too technical to get over. There is a great amount of originality. Well acted.
“Chalk” Saunders
In 1. Time 7. Caracaturist [sic]. Mr Saunders gets away from the beaten path of “speed cartoonists”. His drawings combine fun and cleverness. Well received.
Max York’s Fox Terriers
Man, woman, 8 dogs. Time, 9. In 3 Garden. Acrobatic canine tricks, some new. The finish in which the bulldog “impersonates” well known men and types is a big hit.
Belle Blanche
An impersonator of stage celebrities ranking high, the fidelity of voice and gesture to the originals being marked. In one.
Ralph C. Herz
His character studies and portrayals are of a very high order showing excellent method and acting. An artistic hit. Full stage. Usually works in one.
Barnes and Crawford
“The Fakir and the Lady”. Mr. Barnes is a most excellent comedian and kept the house in an uproar, full stage, closing in one.