Marseilles
In 2. Time 7. Contortionist, ground and pedestal work. Good work with frequent applause.
Master Gabriel & Co.
3 men, 2 woman and Gabriel. “Little Tommy Tucker.” Here is an act that we have spent much money in advertising as now. We have been lead [sic] to believe that Gabriel had something new. It is precisely the same thing in plot, lines and situations as “Auntie’s Visit” which we played some months ago, the only change being in the fact that Gabriel does not wear a “Buster Brown” costume. This unintended misrepresentation on our part will undoubtedly injure business. Not that the act is without merit, but all our patrons know it by heart.
Luciana Lucca
In 1. Time 6. A young Italian singer with a “double voiced Tenor.” He sings like a high soprano and the descends rapidly to baritone. His voice has been excellently trained. Somewhat of a novelty.
Augustus Neville & Co.
2 men, 1 woman. F.S. Interior. “Politics and Petticoats.” Time 18. Rather novel plot well acted. Met an average reception from the audience.
Exposition Four
Open C.D.F. Close in 1. Time 17. An old style set in which the men do a lot of varied work and none of it very well. They just “get by” with much of their material. Instrumental, dances, songs and comedy. A series of rapid changes form a feature.
R.A.C. Trio
5 men. In 1. Time 16. Pleasing rag time singers.
Claude M. Roode
F.S. Garden. Time 10. Slack wire walker. Good but not great.
Joe Hart’s Bathing Girls
7 girls, 1 man. Time 19. In 1, 4, 2, all special. The act is wonderfully improved over the first edition of a season or two ago. The girls make a stunning appearance and the costuming is elaborate and tasteful. The final illusion by means of a motion picture surf view of the girls in bathing is very realistic and infinitely better than the original illusion.
Jean Bedini & Arthur
3 men in an improved edition of the old juggling act. Later a numerous cast gives a screaming burlesque of “The Slums of Paris.” Time 25.
Albert Hole
In 1. Time 9. A young English lad with a truly remarkable soprano voice. His tones are clear as a bell and pleasantly lacking in falsetto so noticeable in the work of many boy sopranos. He was a terrific hit and the only fault is that he only sings three numbers.