This travesty act was fourteen minutes long on the full stage.
Blake and Amber have been doing their act in San Francisco and abroad for the passed eight years. This performance is their New York debut. Two men who are both about six feet tall sing a song about what it takes to make money in vaudeville. They use funny props to travesty magicians, grand opera singing acts, quick change artists, and more.
The act was nineteen minutes long.
Jock McKay is a Scottish comedian and monologist. He tells stories, jokes, and plays two songs on the bagpipes. He also jokes about why the Scottish play the bagpipes: “It makes the Scotchman brave in war…They would rather be killed than hear it.”
This sketch entitled “Coyote Gussie” was twenty-five minutes long on the full stage.
Bryon plays a “cissy” who goes West and ends up on a ranch. He is frequently almost killed by a cowboy who turns out to be his father. Langdon does not have much in the way of dialogue, but her emphatic exclamation of “Dan!” to prevent the cowboy from killing the “cissy” is explosive every time. The company includes eight chorus girls dressed in pretty western costumes. They provide the background for three numbers.
This piano act entitled “The Publisher” was twelve minutes long.
Sam Goodwin has copied the former act of Will H. Fox, who played the piano with his nose and wore Paderewski makeup. Adah Elliot says very little and her only action is to occasionally place her hand on Goodwin’s knee while seated on the bench. The setting is the interior of a publisher’s office.
The act was fifteen minutes long on the full stage.
Don Fulano is a black trained horse who does a conventional routine.
