Alcazar Beauties
The stage is set three times during his offering, but each time a drop is lowered in “one” and Crane works in that space while his apparatus is being arranged. No paraphernalia is moved except behind the lowered curtain.
Alcazar Beauties
Several of the costumes were strikingly original in design and an attractive color scheme in preserved throughout.
The Merry Maidens
In the opening chorus she (Ms. Murray) wears an atrocious costume of red, plentifully besprinkled with spangles as big as quarters. Throughout the rest of the show, however, her dressing was in excellent taste.
Four changes are shown in the opening piece, all pretty with the exception of the opening number. The costumes for the burlesque are even more elaborate, there being a partial change in the last two or three minutes.
Dreamland Burlesquers
All the numbers are lavishly dressed and Aggie Behler, the soubrette, displayed one of the most elaborate wardrobes seen about the local burlesque houses in many weeks. She has four changes in the first act, wearing a fresh costume for the finale of that piece.
pretty girls and graceful dancing.
Cherry Blossoms
Lillie Walsh wore a pretty frock of black and white on which spangles were used with taste, but shortly after Cora White appeared in a coak, pretty in itself, bt made hideous by a thick covering or sparklers resembling Christmas tree contraptions in the violence of their coloring and brilliance of sheen.
The Bon Ton Burlesquers
lacked the mainstays of burlesque, an Irishman, German, and Hebrew comedians.
Berg’s Merry Girls
Half a dozen good looking women. Act in three parts, the first being the best. Dance in which each girl carried a lifelike dummy in evening clothes and an opera hat. Finished with an acobatic turn of oridnary merit.
Harry Keeler and Joe Watson
Toma Hanlon
Dainty figure in white flannel trousers
Laredo and Blake
excellent act, showing features of Rice and Prevost but still original. Fast work with style and smoothness suplemented by his clown partner.