Henry Frey
Alberta Gallatin and Co.
Gray and Milnor
Grant and Hoag
The act was twenty minutes long.
Grant and Hoag sing and do some cross fire talk. Grant does a “hick” impression and a song. He also performs a travestied imitation of Marshall Montgomery. Hoag wears two new dresses.
3 Rascals
This “piano-act” was thirteen minutes long.
O’Donnell, Kaufman, and Wolf are the “3 Rascals” who sing. Two of the boys open with a song. One of them intentionally gets a lyric wrong and they begin to argue onstage. The third boy is planted in the audience and demands a chance to perform with the duo. He is dressed in auto costume. The trio then does another number and Wolf does an eccentric dance. One of the boys does a “Yiddish” solo number and then the trio get together for “Ragtime Melodies” and “The Ghost of the Violin” for an encore. The boys wear short black coats and duck trousers.
Dooley and Parker
The act was fourteen minutes long.
The comedian opens with a pantomime and a travesty impersonation of Harry Lauder. The straight man sings a couple of ballads. They also do a gag about King Edward having died. When told of the death, the comedian jokes that he didn’t know he was on the bill. They have a new way of taking bows in which they do so one at a time.
Rosaire and Prevost
The act was six minutes long on the full stage.
Two acrobats wear jockey suits and perform in front of a race course background. One is the comedian and the other is the tumbler. The two were formerly with different partners.
Carpos Bros.
The act was eleven minutes long on the full stage.
The Carpos Bros. do head-to-head balancing. In one trick, the understander does a head stand on the floor while the top mounter balances himself on the other man’s heels. The understander then lets him down without breaking position. For the finish, the understander plays the piano while the top mounter balances on top of his head and plays the guitar. The top mounter fell three times, but there was unintentional comedy each time it happened. They played enough of the song before falling for the audience to understand and appreciate the trick.