The act was eighteen minutes long.
Two young men sing and do some comedy on the side. The finale is an impersonation of opera singers.
The act was nine minutes long.
May Wolf sings. She opened with a classical number. She has a strong, well trained soprano voice.
The act was twelve minutes long.
Baker and Murray sing, dance, and do some comedic talk. One of their dances is a waltz clog .
The act was nine minutes long.
Jeanette Spellman is a good looking singer.
The act was thirteen minutes long.
An African American male and female team sing and do some comedic talk.
The act was eight minutes long.
A man and a woman play popular and classical medleys on the banjo and the piano. They do a trick banjo and piano duet during which the banjo is swung around. The finale is more lively banjo strumming.
This horse-riding act was twelve minutes long on the full stage.
The act is identical to that of Cliff Berzac, complete with trained ponies, an unrideable mule, and a revolving table.
This mistaken-identity sketch entitled “After the Honeymoon” was twenty-one minutes long.
Newlyweds fight over the arrival of their relatives. Her sister (a burlesque queen) and his brother (“a race-track hick”) are married.
The act was eight minutes long.
Loretta Flynn does some “coon shouting” and sings three songs. She also does an eccentric dance.
This sketch entitled “Hidden in Secret” was seventeen minutes long.
Vera McCord plays a Russian countess who is blackmailed by the military governor into revealing the names of the Revolutionary Committee. He claims to have the letters she wrote to her now dead lover and threatens to show them to her husband. After she gives him the names, she stabs him to death in a fit of rage. She wears an expensive-looking fur coat throughout the sketch.