Carroll Johnson & Co.’s Louisiana

Artistic lighting effects help out in the general effect. Mr. Johnson works in his old style, first as an old negro “uncle” and afterward in the very much dressed up minstrel “coon” fashion.

At Ellis Island

Mr. Welch has drawn a living, breathing picture of the Italian. It faithfully depicts the joys and sorrows of the foreigner’s meeting with his wife. The great charm of Mr. Welch at this point is his naturalness. You leave the theatre with the vision of the low caste, ignorant, loving husband and father, whose existence is his family, and it is a memory not easily erased.