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The closing act, Weston’s Models, which relies on beauty more than speed was carried away on the momentum of the entire show, and swept over to a bang. This posing act, composed of two women and a man, is one of the most artistic and sensational acts of its sort in vaudeville today, relying on no host of accessories, the only real assistance being the marvelous lighting effects, with most the poses physical instead of art poses. Their “Marathon,” Gladiator” and “Forward” received heavy hands, and they held in a solid house.
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Variety Magazine, LVIII: 5 November 1920