Rinaldo

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Dressing in the seedy costume of a street musician and without a spoken word or a gesture, he actually makes a character study of a rather stupid absent-minded sidewalk player. Rinaldo ambles on without a glance at the audience, slowly stakes a position in the center of the stage. After a momentary pause he quietly raises his violin and begins to play. His face is absolutely expressionless except at such momenta as it lights up with flashes of half-enthusiasm during a spirited passage of music, then lapses back into blankness.
In all his playing Rinaldo makes use of curious bits of what might be called musical sleight-of-hand, and secures curious trick effects that*take tremendously with the audience. The straight playing is always strong and frequently brilliant. Monday night Rinaldo was a splendid success. He left the audience fairly shouting for more.
Source:
Variety 14:6 (04/17/1909)