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The running order of the bill was pretty much switched after the matinee, when Mme. Albertina Rasch (New Acts) was moved from No. 2 to closing the show. This move was undoubtedly a wise one, for that Colonial gallery never would have let a classical solo dancer get by, and undoubtedly the Rasch act would have been fair game for them. There is one thing and that is that the switching worked to the switching worked to the advantage of the Mizzan Troupe, for the Arab aggregation won frequent applause with pyramid formations and tumbling.
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Variety Magazine, LVIII: 1 October 1920