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Mel Klee got the second half under way, and this is a boy who at one time must have watched Al Herman work early, late and often. It’s the same kind of act that Herman did. Some of the material comes very close to the proverbial border. If Mr. Klee must depend on that and talking audience confidentially about other acts on the bill to pass, it’s too bad as he left the impression of being capable of doing something better.
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Variety Magazine, LVIII: 24 September 1920