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Laura and Billy Dreyer opened mildly with their double dancing turn and were followed by El Cota, who started things off, deucing it with pip of a routine of popular and near classical xylophone selections. With horn-rimmed cheaters and a sanctimonious expression this musician hits the proper note with his delivery. He refuses to take his work seriously and gets greater results thereby. Comedy touches were added by a sign easel with blank cards and one or two comedy ones. He made a decided impression.
Source:
Variety Magazine, LVIII: 5 November 1920