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Henrietta Crossman, the dear star, looking quite fresh and still easily able to carry convictions in love scenes, got an ovation coming and going. Her Fiske-like technique of sketch actresses in vaudeville. Her one-acter is “Every Half Hour,” by Albert Cowles and Roy Briant, a direct little satire on affinities which held up to the standards of its star while meeting the vibrations of the average audience.
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Variety Magazine, LVIII: 16 July 1920