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The quintet, two men and three women, open in “four,” singing what probably is a native Russian folk song, accompanying themselves on string instruments. The balance of the routine is a cycle of ‘hock”‘ dancing, most of it seen before, with a few new steps, well executed. One of the women is also something of a toe dancer. The two men do a double solo that won considerable and all told the act might fit in neatly on some big-time bills. It’s a corking act of its kind.
Source:
Variety, LXII:7, April 8, 1921.