Cecile Weston and Grace Doro

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  Mins. One.   Here’s a sister team that presents possibilities for regular big time work. With the proper scenic effects et al, they should make good. Miss Weston handles the vocal end exclusively, Miss Doro accompanying and doing a piano solo that would be a credit to a planolo recorder. As a matter of fact, Miss Doro’s peculiar tickling of the ivories suggested a player piano strongly. Judging by her reception, the turn could stand another similar solo. The songs all sound restricted with the exception of the concluding, “Rose of Washington Square,” done as an encore in an original dialect. Miss Weston is gifted with the art of getting a number across for all its lyric and comedy values.

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