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Instead of holding to the
natural negro comedy they give themselves
over to long discourses, exchange
of very tiresome dialogue and gagging
when the time could be so much better
employed in singing and dancing, particularly
the capital stepping of Anderson.
Also they use a polite ballad at the finish
that could be profitably replaced with a
coon song. There was enough straight
matter in the act without this.
Source:
Variety 12:5 (10/10/1908)