The Baggesens

Full stage. Hardly know what to say about this act. It is a good one in its line, but appears to me to be a little over-paid. The woman does most ordinary juggling and is not watched by the audience, and the man, through his extremely foolish pantomime work and the breaking up of a full china store of equipment get lots of laughter and holds the audience to the finish.  

James J. Mortch

Entire act in one. One of the best talking and singing monologists I play. Everything new and out of the usual beaten path. So well received audiences would hardly let him leave the stage.  

John and Bertha Gleeson

Entire act in one. This is the prettiest straight dancing act I have ever played, but the little singing they do is certainly bad and they should avoid it altogether

The Kilties

Consumed entire half of the program. There are 35 musicians doing instrumental and vocal work, bag piping, Highland and sword dances, etc. The entire program as furnished by them was satisfactory in the extreme and on account of its diversity evidently pleased large audiences.  

Johnson and Dean

Full stage. Their songs and dances made a great hit and the only weak spot was failure to use black drop at the finish. Their act one of the biggest hits of the bill.

Yoromoto Brothers

Close in one. This is one of the most sensational acts we have ever played. Work on wire good and on perch dangerous and thrilling.

McLellan & Carson

Young man and young woman in pretty costumees [sic] doing difficult and fancy roller skating. The work is fast and with the bright and pretty set make a most desirable and staisfying [sic] closing act. 11 minutes, full stage.

Amelia Bingham & Co.

Scenes from ‘Joan d’Arc’ and ‘Mme. Sans Gene.’ Miss Bingham and her company worked very hard with the kind of drama which is now more effective in the ‘moves.’ 37 mintes [sic]. Olio co. Drop in 1-1/2, cyclorama, palace.

Kluting’s Animals

The pretty little dogs, cats, birds and the rabbit, and their clever feats, with the plush draperies, make a most enjoyable artistic act. 15 minutes, full stage.

Frank Keenan

In ‘Vindication.’ 22 min. F.S. Mr. Keenan’s work is great in his character of a fire eating old Southerner. The act is dramatic and engrossing working up to a splendid climax and affording the star unlimited opportunities. Mr. Keenan is most ably supported by Mac. M. Barnes. The act is great big hit.