Doherty Sisters
They did nicely here with some good songs and dancing. In one, but we gave them a little setting.
O’Brien Havel
Assisted by Miss Beanie Kyle he put on the old act under the new title, “The Office Boy and the Typewriter”, which is the same as usually but the middle of the bill is too strong a place for them. Full stage.
Irene Romain
A clever, pretty girl who talks her songs at the piano and we received with pleasure. In one.
Vittorio and Gioretto
“The Upside-Down Boys.” This is a decided novelty, one of the best. The dancing on their hands is excellent, followed by one of them walking on his hands and drawing a carriage occupied by four people, closing with a boxing match in which one of them carries off the honors using his feet incased in gloves. They could easily hold almost any position. Full stage.
John M. Nazzard
Tells stories, tells them right. In one.
Ralph Shelley
An exceptionally fine celloist [sic] who can hold any position on a bill with credit. In one.
The 5 Columbians
Singing, dancing, imitations, piano playing. Special scenery, pretty costumes and quite a little production. Full stage, closing in one.
American Vitagraph
“Bear Hunting in the Rockies.” Very good.
Edwin Stevens and Co.
“Guardy”. This is fine and gives Mr. Stevens and Miss Maraball and opportunity to show their versatility. Dialogue is witty, songs catchy and dancing good. Full stage.
Mabelle Carolyn Church
“Bits of Plays and Poem.” She opens with a prologue from the old English morality play, “Everyman”, then recites an old Scotch poem, followed by. “The Bachelor’s Sapper”, with art illustrations, using the dissolving stereopticon, closing with “The Usual Way” of a comedy vein. The last two numbers are excellent and the offering is of a high and artistic character, just such as brings into the theatre the refined and cultured class. In one.