Edwards Davis & Co.
“The Picture of Dorian Gray”. Full stage, special set. 25 minutes. The brightness of the lines, in a great measure, atone for the mediocrity of the acting. The act is going very well.
Albert Chevalier
“The Famous Character Actor”. 30 minutes. Street in one, his accompanist being back of the drop. Undoubtedly a great artist. I fear they do not understand his characterization—not making the hit his performances deserve.
Tom Edwards
“The Huntsman Ventriloquist”. 23 minutes, full stage, interior. Going very well. However, in my opinion, he is getting a little more than he is worth.
Lillian Shaw
“Songs and Impersonations.” 18 minutes in one. The best act she has ever given us. Most of her material is bright and new. This is a hit.
Hattie Glome
Child pianist. 14 minutes, working in two. Can use grand piano in one if necessary. This her debut on the big time. She is the greatest of all child prodigies. Been compelled at various times during the week to respond to several encores in addition to her regular numbers. She would be, without a doubt, (properly advertised), an excellent attraction.
Edward & Collinson
Comedy acrobatic singing and dancing. 12 minutes, full stage—special set. A very weak act.
Smith & Campbell
In “Camping Out”. 18 minutes in one. Going very big. One of the best, if not the best, two men talking act in the business.
The Carlos
12 minutes, full stage. Novelty juggling and balancing act. The best act of the kind we have ever played. Their stage setting is elaborate, there is much class in the act, and they are a decided hit.
Otis Harlan & Co.
25 minutes, full stage, with a short close in one. This is an awful act. They get some laughs but from the standpoint of a headliner, impossible.
The Sleedes
12 minutes—full stage. Black art pantomimists. Comedy. A decided hit—getting many real laughs.