Time 17. In 1. Pianiste and character comedienne. (Dutch and child.) They work along their original lines, and are just as pleasing as formerly.
Man, 2 women. Time 20. In 3 spec. They present character types, Italian, Scotch, tramp and Irish, with a rapidity that approached the protean class. Their songs are very clever and splendidly done. They have a distinct flavor of the English music halls in mannerisms. Went strongly.
Open in C.D.F. Close in 1. Time 22. This artist’s excellent work in maturing season after season. He has new features. Held the audience spellbound throughout.
In 1. Time 10. Gowns, fine; voice, good; comedy, frightful. As a straight singer she could probably get by in good shape. As a “singing comedienne” she is very poor.
Tramp Comedian. Has one or two new songs and some bright talk which he delivers in good style and while the audience does not get enthusiastic over his act, he succeeds in holding them very well. 17 minutes in one.
“The GERMAN JESTER”. Has a rather poor monologue, but goes fairly well. The recitation with which he closes his act, seems to take better than anything else. 15 minutes in one.
Four men. A good straight musical act. While they do not play a great variety of instruments, what they do is very well done. 17 minutes, full stage.
The singing might be better but their dancing is above the average and the act is very neatly dressed. They are Cleveland people and went very big. 14 minutes in three.
The Gordon Highlanders, a band of forty pieces, gives an hour’s varied entertainment consisting of instrumental and vocal music, sword dances, Scottish reels, solos, etc., etc. This organization gives a whole show by itself and is going to prove a big drawing card here.
Man and woman. Time 16. Interior in 3. They present a sketch of the hardships of actors out of work. Most of the lines are very bright, and the situations bring screams. A few of the lines are rather too technical to get over. There is a great amount of originality. Well acted.