M’lle Chester & Statue Dog
Special gilt frame F.S. plush curtain. Time 9. Very attractive hunting poses. A big hit with applause after every pose.
The Carmos
1 man, 2 woman [sic]. C.D.F. 12 min. Highly skillful juggling and balancing work. A big hit.
The Vivians
Man and woman. F.S. with abundant special apparatus. Time 16. Highly interesting and amusing exhibition of sharpshooting. They have numerous “stunts” which bring rounds of applause. A decided hit.
T. Roy Barnes & Bessie Crawford
Open in C.D.F., close in 1. Time 19. Presenting their familiar act, “The Fakir and The Prima Donna.” Barnes continues his tactics of “kidding” the audience. Much that he says borders on indecency. Some had to be cut. Miss Crawford is pleasing ornamentation.
Elizabeth Murray
In 1. Time 14. A distinct success in Irish and Negro dialect songs.
Howard & Collinson Trio.
F.S. special. 2 men, 1 woman. Time 10. Presenting a “rough house”, but highly funny skit entitled, “A Piece of Dresden China”, in which, the woman, a very graceful dancer, plays a mechanical doll. There is a refreshing originality about even the broadest comedy which becomes open slap stick at times. The audience screamed with delight at times.
Sammy Burns & Alice Fulton
In 1. Time 14. A neat hardworking couple of pleasing appearance. Eccentric dancing very catchy and original. There is something decidedly distinctive about the act that makes it get over in great shape.
Kroneman Bros.
2 men. In 1. Time 10. Comedy acrobats, also head and hand balancers. Good straight work and good comedy finish.
Ned Wayburn’s Jockey Club
Fourteen girls and the Countess Von Hatzfeldt. This singing and dancing ensemble is the biggest and best of any similar act played here. The girls are lively, make a good appearance, sufficiently well drilled, and their dance, figures and tableaux are original, pleasing and well executed. Their singing is acceptable. They make three costume changes, of well designed effects. The Countess is a pleasing singer and vivacious dancer and being young, and especially good looking in her last costume, in page’s garb, makes a distinct hit aside from any drawing power her title may possess. 17 minutes, full stage.
Mme. Herrmann
In, “Magic of the Orient”. Very similar to her other act, “A Night in Japan”, with the exception that she had discarded some of her old scenery, and substituted two new tricks. The act is very neat and makes good with the audience. 26 minutes, full stage.