The Rays

In, “Casey the Fireman”. A roaring one act farce which created great enthusiasm. Three people. 26 minutes, full stage, closing in one.

Charles Wayne

“The Whimsical Comedian”. A disappointment. The act in its present shape is not worth the money asked by any means. Wayne appears in a grotesque makeup does some singing and talking and also some eccentric dancing. He makes a number of changes during the act and uses the house actor and quite a number of properties. 22 minutes in one.

John Leclair

Juggler. A very neat offering and a good act for the money. Full stage, closing in one, 15 minutes.

Horace Goldin and Co.

Five people. Goldin is undoubtedly without a peer as an illusionist. He now does no talking in the act and this is probably the most noticeable improvement since he was last seen here. Carries his own set. 20 minutes, full stage.

Mansfield and Wilbur

In, “61 Prospect Street”. The act is presented full of humor situation and as presented by these clever players, is one of the best sketches seen here this season. 26 minutes, full stage.

Robledillo

F.S. woods. Time 9. Woman who does a little good work. Man assistant. Robledillo does an incredible series of fancy and humorous “gaits” on the semi-slack wire. These include a drunken reel which is a scream. A big feature for any bill.

Laddie Cliff

In 1. Time 19. Some new songs and some old favorites. A big hit. Dancing about the same. He closed with a brief monologue which is fair. This was given after long applause.

Marcel & Boris

Man and boy. Time 10. Hand to hand work—very good and mostly original. The boy plays, as an interpolation, the violin well and in trick positions. Neat and fast with the boy the big feature.

Eight Berlin Madcaps

Time 10. Eight well matched and attractive girls. Most of them dance well although there are evidently one or two new ones which caused several embarrassments Monday matinee. Their ensembles are pretty and lively and their groupings picturesque. They need a few week more practice before they will be working as they should.

Ray Cox

In 1. New songs and costumes with the exception of her two types of college girls which went big. Time 21. Cut “I’m not that kind of girl.”