“The New Coachman”. 30 minutes full stage. Show just begins here. Going as big as ever.
Monologue, burlesque songs & dancing. Simply impossible.
18 minutes full stage. Good act but not strong enough to wake them up.
English comedienne. 18 minutes in 1. An utter impossibility.
The modern gymnast. 8 minutes in 1. Not good enough to open any show in the big houses.
9 minutes full stage. The fastest and best comedy acrobatic act we have played in a long while, to my mind, better than the Camille Trio. Closing this show with a scream and tremendous applause.
16 minutes in 1. Bulgar sings five comedy songs, the first two in full evening dress, and the other all in comedy make-ups, closing the act with an eccentric dance. Each number received good applause, while the closing dance went strong enough for him to take four bows and make a little speech. While he is no big positive hit for us, I feel the value is here in the name, while his work compares favorable with that of any of the legitimate stars that have gone into vaudeville. I have had a long talk with him and advised using the comedy make-ups all through thus eliminating the dress suit, and I feel that the value of the act will be enhanced fifty percent thereby. From present indications it looks like he will draw is some money, and I am well satisfied with the engagement.
26 minutes, Full Stage. Own set. Of all the pretentious complete productions, that have been seen in vaudeville, this one takes the prize. The sketch is very interesting and holds the attention throughout. Closed to many curtain calls. Splendid value in this act.
12 minutes, Full Stage. A big groupe [sic] of people doing the stereotype club juggling. Nothing in it to warrant the expenditure. Would only make a good opening act.
9 minutes in 1. This little lady has certainly gone back, as she just about missed being a failure, while last season she was a hit here.