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France and Hamp followed, and in turn came Jones and Sylvester, who did nicely mainly due their rendering of “Ida” a la Eddie Leonard. Any strength to bill had was in these two acts, and it was easy going for both, the audience seemingly being willing to give any one credit for what they did, but having nothing to appeal to them up to that time.
Source:
Variety Magazine, LVIII: 17 September 1920